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Andrew Carnegie Free Library & Music Hall
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300 Beechwood Avenue
Carnegie, PA 15106
412-276-3456
FAX: (412) 276-9472
A National Historic Landmark
© Copyright 2004-2009
All Rights Reserved
Photographs by
Bernadette E. Kazmarski
unless otherwise noted.

Die Zauberflote (The Magic Flute)
Perhaps the most beloved opera by perhaps the world’s most beloved composer! Duquesne University's Opera Workshop performed Mozart’s Die Zauberflote to near capacity audiences. This was Duquesne's fourth Mozart opera directed by Guenko Guechev; Maestro Sidney Harth once again returned to the podium to conduct Duquesne's Symphony Orchestra. The enchanting plot of the operafeatures Tamino, a lost prince, Papageno, a comical bird catcher, the beautiful princess Pamina, the scheming Queen of the Night, the mysterious Sarastro, thrilling high and low Fs (sung by different characters) and a magic flute. The whimsical plot is steeped in Masonic elements.
Performed by Duquesne University's Wind Symphony, directed by Robert Cameron. Pittsburgh/Los angeles actor David Conrad narrated this haunting piece composed by Aaron Copland in 1942. The Wind Symphony and Mr. Conrad will round out the program with more Americana/Lincolnalia music, and readings.
This progm showcaed the artistry of Chatham Baroque players as soloists, accompanists and equal partners in works by Bach, Corelli, Kapsperger, Biber and Schmelzer. Chatham Baroque, described as, "a splendid period-instruments ensemble based in Pittsburgh," by the Chicago Tribune, as lauded as "...musically impeccable..." by the Washington Post, recently recorded the works of Giovanni Girolamo Kapsperger in the Music Hall.
Students from Duquesne University's acclaimed Opera Workshop return for a holiday smorgasbord of short scenes from the varied repertoire of oper's masters.
The Nutcracker at Christmas is the magical dream of Clara and her handsome Nutcracker Prince. Together they battle an evil Rat King and find thier way through swirling snowflakes and dancing flowers on their thrilling journey to the Candy Kingdom.
This beloved oldies band set the Music Hall a-rockin', while showcasing the Hall's comfortable new seats.
This annual benefit to support the campaign to restore the Library & Music Hall took place October 10,2009. Contralto Daphne Alderson, who captivated audiences with last year's salute to Oscar Hammerstein, returned with a tribute to one of America's most beloved singers: Judy Garland. Daphne proved that there's so much more to Ms. Garland than Over the Rainbow -- especially with her show-stopping Edith Piaf number Milord! In addition to an extraordinary evening of song (Daphne again
collaborated with pianist/arranger Dougas Levine, guitarist John Marcinizyn, and first timers Jeff Mangone on bass, and Al Wrublesky on drums), the Music Hall's long-anticipated, comfortable new seats made their debut at the concert. Both Ms. Alderson and the seating earned enthusiastic approval from a very happy audience.
Duquesn'e University's Opera Workshop once again captivated audiences with a performance of a early and rare Mozart opera on April 24 and 26, 2009. This was the Opera Workshop's third fully staged Mozart opera performed in the Music Hall. Perhaps the most under-appreciated of Mozart's operas, La Finta Giardiniera is his second comic opera, with a libretto that is a curious blend of buffa and seria. Despite its critical place in Mozart's musical development, this beautiful work remains largely unknown today. This new production by Duquesne's Opera Studio under the direction of Guenko Guechev featured guest conductor Nicoletta Conti, and was performed in the original Italian version, with English subtitles. See photos .
The Andrew Carnegie Free Library & Music Hall's annual Civil War program was the last chance to visit the Captain Thomas Espy Post No. 153 of the Grand Army of the Republic. The room is closed for restoration following this full day of special programming until early 2010.
Saturday’s programming included:
The day's program was made possible by a generous grant from the Massey Charitable Trust. The Pittsburgh Foundation provided underwriting for the Acoustic Shadows concert.
On February 19, 2009 hosted a poetry reading and art exhibit featuring the work of Bernadette Kazmarski. This local artist and poet finds the beauty and rhythms of Carnegie's local landscapes, the Chartiers Creek and surrounding environs a source of ongoing inspiration.
"Change of Season" was Bernadette's third poetry reading at the Carnegie Carnegie.
To read Bernadette's poems and see her artwork visit "Change of Season"
Mr. Lincoln Comes to Washington
Edwin Coles Bearss (pronounces "bars") drew an enthusiastic audience of more than 200 people to his February 9, 2009 lecture marking the 200th anniversary of Abraham Lincoln's birth. Described as "one of the most distinguished historians (and spellbinding storytellers) of the Civil War," Bearrs began his career with the National Park Service in 1955 at the National Battlefield Park in Vicksburg, Mississippi. He ended his official career, 40 years later, having served 13 year as Chief Historian for the National Park Service.
Mr. Bearss' talk signals the caliber of programming the ACFL&MH is committed to providing to complement its Captain Thomas Espy Post No. 153 of the Grand Army of the Republic and to further understanding of the American Civil War.
Joe Negri Returned to
CarnegieCarnegie Hall to perform his Mass of Hope
December 20, 2008 was the
holiday concert of the season! The ACFL&MH presented Joe
Negri’s Mass of Hope. Members of the Bach Choir of Pittsburgh and Stage
62 joined Negri and his quartet in this beautiful ensemble piece.
Negri also performed at the Music Hall in April, 2008, drawing
a deeply appreciative audience. He gave ACFL&MH Executive
Director Maggie Forbes a cd of his jazz mass after the concert.
“I took it home, listened to it four times in a row, and knew
I wanted to do it here,” said Forbes. “Fortunately, Joe agreed that the
Music Hall is an ideal setting for his mass.”
The eclectic work requires top notch musicianship. Thomas
Douglas, director of the Bach Choir served as Musical Director for the
program and doubled as the male cantor. Mezzo soprano Becki Toth, well
known to Carnegie Carnegie audiences for her many standout roles with
Stage 62, was the female cantor.
“I am so glad that Thomas was open to members of Stage 62 –
‘oh those glorious Stage 62 voices’ – joining the Bach Choir for this
concert,” said Forbes.
Negri’s mass was originally commissioned by the Diocese of
Pittsburgh in the early 80’s. “They wanted something original and more
sophisticated than a folk mass for a teachers’ convocation,” remembers
Joe. He describes the piece as nascent, not fully developed, but too
good to abandon. It kicked around in his head for a few years. “The
commission didn’t come to fruition until 1996.”
The performance was made possible through a generous grant from The Pittsburgh Foundation.

The beloved words of American lyricist Oscar Hammerstein took center stage at the Music Hall at 8:00 p.m. on Friday, October 10, 2008, when Daphne Alderson sang "Songs that Oscar Taught Me." Ms. Alderson performed for the annual benefit to restore the Andrew Carnegie Free Library & Music Hall.
Classically trained in opera at Duquesne University, and in Europe and New York, Daphne responded to the urging of legendary voice teacher Dodi Protero that her warm contralto was the perfect instrument for cabaret. She has been happily straddling these repertoires since 2001. Daphne’s performances this year included Handel’s Messiah, Mendelssohn’s Elijah and Pergolesi’s and Vivaldi’s Stabat Mater. She also enthralled audiences with her Songs of the Little Sparrow, singing the songs of perhaps the most iconic cabaret singer of all time, Edith Piaf.
Daphne affirms the revered place that Oscar Hammerstein
occupies in the annals of musical theater. “Oscar Hammerstein
was an idealist who loved life and believed in people with all of their
foibles and strengths. When I read or sing his lyrics, I feel
enveloped in that love, that hope for humanity and the joy of living,
loving and gratitude. He also was a fierce fighter for the
common good and abhorred injustice, racism and cruelty, a gentle soul
who was also given to fits of fury if the situation demanded.
I gotta love a man like that, that’s a guy I want to celebrate, have
over for dinner and share this great friendship with friends.”

Pianist Patricia Prattis
Jennings performed at Carnegie Carnegie Hall on Sunday June 1,
2008. Ms. Jennings is well known and deeply admired for her
more than four decades as Principal Keyboardist with the Pittsburgh
Symphony Orchestra. She was one of only four native
Pittsburgh musicians with the PSO when she retired in 2006.
Ms. Jennings began her career with the Pittsburgh Symphony Orchestra in
1966, distinguishing herself at four keyboards -- the piano,
harpsichord, organ and celesta, and she was a frequent soloist with the
orchestra including performances at the Edinburgh and Hong Kong
festivals.
An Afternoon with Patricia Prattis Jennings was the final program in
the capital campaign’s “Meet the Challenge” performance series.
Proceeds from this concert not only benefited the campaign to restore
the Library & Music Hall but also counted towards a $500,000
conditional challenge grant.
Ms. Jennings welcomed the opportunity to perform for her own and her
audience’s pleasure. “Although I've retired from the
orchestra, I certainly haven't retired from music, and I'm still
learning and memorizing pieces that I haven't had time for until
now."
Ms. Jennings is not only an outstanding musician but also a mentor
committed to helping up and coming musicians. She invited
violist Shundeena Beard, a junior at Pittsburgh’s Creative and
Performing Arts High School, to play two short pieces with her at the
June 1 concert. Shundeena is a former Pittsburgh Concert Society winner
and performed on From the Top at Carnegie Hall in New York, which was
seen on WQED. “Shundeena has enormous potential,” says Jennings.
Ms. Jennings is eclectic in her musical taste and has developed
wonderful friendships with many other regional musicians during her
tenure with the Pittsburgh Symphony orchestra. Joining her in
popular duets was Romanian pianist Marina DiPretoro Lupinacci who has
played alongside Ms Jennings and toured with the Pittsburgh
Symphony.
And, as a special treat, guitarist Marty Ashby, some of his friends
from the Manchester Craftsmen’s Guild, and young bassist Naomi Sarchet
joined Ms. Jennings for a grand finale. Ashby, Executive Producer for
Manchester Craftsmen’s Guild Jazz, is a long time fan and friend of Ms.
Jennings and the Andrew Carnegie Free Library & Music Hall.
Photo provided by Ms. Jennings.

The Andrew Carnegie Free
Library & Music Hall’s annual Civil War program began with a
concert on Friday April 25, offered a full day of programming on
Saturday, April 26, and concluded with a keynote address on Sunday
April 27. The Civil War programming was made possible through a
generous grant from the Massey Charitable Trust.
Friday night’s concert featured the NewLanders, singing "Songs
of Southwestern Pennsylvania." The NewLanders are a group of Pittsburgh
area musicians and songwriters who have researched and rediscovered
songs written by, and about, the people of southwestern Pennsylvania.
Featuring vocals, guitar, bass, violin, octave violin, jaw harp, bones,
Appalachian dulcimer and mandolin the NewLanders have forged a rich
musical sound all their own to tell the tales southwestern
Pennsylvania’s rich past.
According to NewLander Art Gazdik (violin, octave violin,
mandolin and vocals)," The NewLanders and the Andrew Carnegie Free
Library & Music Hall are a perfect fit, both work to make
elements of our past vital again."
Saturday’s programming included:
On Sunday at 2:00 p.m., Stuart McConnell, Professor of History
at Pitzer College in Claremont, CA delivered the weekend’s keynote
address. Professor McConnell is the author of GLORIOUS CONTENTMENT: THE
GRAND ARMY OF THE REPUBLIC, 1865-1900. The book is a close look at how
the GAR worked at the local level, coupled with an examination of its
meaning as a national organization lobbying for Union Army pensions,
"correct" Civil War history, and a kind of preservationist vision of
American nationalism.
A special exhibit, LOOKING AT LINCOLN: Political Cartoons from the Civil War Era, on loan from the Gilder Lehrman Institute of American History, was on display at the Library & Music Hall from April 21- May 21.
"…Dansaq, is an unexpected
collaboration between music and dance, visiting numerous styles,
languages and influences with the brilliant concept of music and
movement of Tapage, and exceptional fire and interpretation of the
Cuarteto Latinoamericano. - Juan Arturo Brennan
The Cuarteto Latinoamericano, the pre-eminent interpreters of Latin American classical music, perform in concert with Tapage, the choreographic/ dance duo described as "exotic… poetic… sophisticated… fascinating… sensual ….hypnotic."
These two international ensembles came together for the American premiere of DANSAQ at the historic landmark Andrew Carnegie Free Library & Music Hall. Thursday, February 28, 2008.
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